![]() Phantom Power – supplies +48 V of power to condenser microphones and DI boxes.Phase Reversal – changes the phase of the input signal by 180 degrees (flips it upside down).Pad – this can reduce the input level by a set amount, usually -20 dB, to help prevent distortion of the input signal.Gain level – sets the level of the signal entering the channel’s inbuilt preamp.You won’t find all of the following controls on every mixer, but it’s useful to know them all for future reference: This is where you optimize the signal gain levels at the input stage before it travels any further. Once you know these you probably know around 80% of the desk’s controls, as these channel strips are just repeated across the rest of the board. Let’s look at the typical features of an input strip to see what all the controls are. In-line consoles contain both the input section and the monitoring section inside the same channel strip. Split mixing consoles have both of these sections situated in different halves of the desk. Keeping this in mind, you’ll find two different arrangements on hardware mixing consoles. the monitoring section is where you listen back to what you’ve already recorded – the outputs.the input section is where you send the signal that’s going to be recorded into the mixer.We find that mixing boards can be split into two main sections – the input section and the monitoring section: Using the mixing desk you can combine all of the separate pieces of your production into one whole, and then record that as a stereo file ready to put onto a CD, or to upload somewhere as an MP3. You can then change the parameters of each part as you wish, such as: I’m sure you’ll see other names used as well.īasically, a mixing desk brings together all of the different instruments and parts you’ve written and recorded into one place. Mixing board, mixing desk, mixing console, sound board, audio mixer – all these names refer to the same thing. #Easy audio mixer 2 key how toI first learned how to use a console on an old Soundcraft desk many years ago, and those lessons made it easy to start using a mixer in my production software. So even if you choose not to have a hardware console in your studio, the knowledge of how one works will still be vital when it comes to using a mixer inside your DAW. Learning about the layout and functions of a hardware mixer can also prepare you for using a software-based mixer, as they use the same principles of signal flow and design which helps to keep things consistent across both domains. Have you ever looked at a mixing board and wondered where on earth to start? It can strike fear into many new producers because of the amount of sliders, knobs, and buttons staring back at you. It certainly did with me the first time I saw one.īut when you look at them in detail, the consoles are actually very easy to follow. ![]()
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